After waiting three weeks (and I’m never choosing FedEx as an option again), my glorious new shirt came in the mail today!
Irrational Games Store is open for business.
Along with some great t-shirts and posters, there are two collectibles on sale, a limited run of 200 model statues of Andrew Ryan, and a limited run of 400 Murder of Crows vigor bottles signed by Ken Levine, Creative Director; Nate Wells, Art Director; Shawn Robertson, Lead Artist; and Mauricio Tejerina, Weapon Artist. The bottle measures 10” tall and sealed with water in the bottle to simulate the feel and weight of an in-game vigor bottle. The Andrew Ryan statue is set at $100, while the Vigor Bottle is $500.
I am different every day, but I’m still me every day. Who am I then?
— Rin Tezuka (via laterade)
Talking is hard. I mean, it’s not hard, I’m talking even now. But saying the right things is really hard for me. No matter what, I just can’t say the things I want…. I say all kinds of things that I don’t really mean all the time. And sometimes I forget words and then I use the wrong words. I even come up with new words for things that already have some. That’s the worst thing. I get really nervous and everything comes out a mess and even I don’t really understand what I want to say.
— Rin Tezuka (via laterade)
Martin Klimas - What Music Looks Like, 2011
“Like a 3-D take on Jackson Pollock, the latest work by Klimas begins with splatters of paint positioned on a scrim over the diaphragm of a speaker. Then the volume is turned up. For each image, Klimas selects music—typically something dynamic and percussive, like Stockhausen, Miles Davis or Kraftwerk—and the vibration of the speaker sends the paint aloft in patterns that reveal themselves through the lens of his camera.”
Top, L-R:
1. Miles Davis
2. Paul Hindemith
3. Pink Floyd
4. Kraftwerk
5. Charlie Parker
6. Grace Jones
7. J.S. Bach
Collages of landscapes shot at different times and seasons by Noel Myles
About the project:
Throughout Noel Myles’s work there is a consistent aim to extend the still photographic image beyond the single moment and the static viewpoint. The intention is to evoke the perception of accumulated experience.
